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Genetics Index
First Posted: Nov 30, 2006
Apr 13, 2013

Producing Color/Color Genetics

By: Kathryn T. Graves, PhD Director
Equine Parentage Testing and Genetic Research Lab

Permission to use was granted.

Color does not make the horse, but it is hard to dispute that a desirable color increases market value. Rather than being at the mercy of Mother Nature, it is possible through the understanding of a few genetic rules, to be able to tip the scales in the favor of producing the color you want. To be able to plan matings to produce a certain color, it is essential to grasp the concept of dominant versus recessive inheritance. All genes are expressed in terms of their dominant or recessive forms (alleles). Dominant means that if the horse inherits the dominant form of the gene it will be expressed. A recessive allele can be carried by a horse and will not be expressed if it is masked by a dominant form of the gene. All the "icing on the cake" colors-silver dapple, cream, champagne, roan, gray, dun and even the tobiano spotted pattern, are controlled by dominant alleles for the respective gene.

Because a horse inherits an allele for any gene from both parents, every horse has two alleles at each locus (the location of the gene on a chromosome), one from the sire and one from the dam. When identical alleles are inherited from each parent at a given locus the horse is said to be homozygous. The horse may be homozygous for the dominant form of the allele or homozygous for the recessive form of the allele. If different alleles are present, the horse is heterozygous. A horse may be homozygous at some loci and heterozygous at others. Knowing the color gene makeup of each parent, potential foal colors can be predicted.

Of particular interest in this breed is the production of the chocolate coat color, also known as silver dapple, under the genetic control of the Silver Dapple locus. The effect of the dominant allele Z is to alter the black pigment. Therefore only horses expressing black pigment can be silver dapple. Thus it is important to understand the genetics of both the Silver Dapple locus and the locus controlling expression of black pigment, which is the Extension Locus. The Extension Locus allele that allows black pigment to be expressed is designated E. The alternative allele is e which prevents black pigment from being expressed. A horse homozygous for e will not have any black pigment and will be a chestnut/sorrel regardless of whether or not it also has Z for silver dapple. Therefore two chestnut horses (both ee) cannot produce anything but chestnuts! A horse with the genotype Ee or EE will express black pigment, in the mane and tail and on the legs in the case of a bay horse and all over the body in the case of a black horse. A black horse with one copy or two copies of Z will be the classic chocolate color. A bay horse with the Z allele is a red silver (red chocolate). Similarly the Z allele can be expressed in any horse with at least one E at the Extension locus such as buckskins, zebra duns, browns and grullos. Horses homozygous for Z are said to have whiter manes and tails that are less prone to darkening with age as occurs with horses heterozygous for Z. The association of the eye disorder anterior segment dysgenesis (ASD) with the Silver Dapple locus makes it risky to breed for the homozygous Z genotype.

Since true chocolates are horses that are genetically black, the gene that controls where black pigment is expressed must also be considered. This locus is known as Agouti and has two alleles A and a. The A allele restricts the expression of black pigment to the points, and results in a bay (when E is also present!). Remember the Extension locus allows black pigment to be expressed at all- Agouti determines where that pigment is expressed. Because A is dominant, a horse only needs one copy to be a bay. If the horse is homozygous for a and possesses at least one E, it will be black. So a chocolate will be homozygous for a, and have at least one E and one Z allele. A red chocolate will have the same genotype, but have at least one A instead of being homozygous for a. So what's a breeder to do if breeding for color is important to their program? Some determinations of color genetics can be made just by looking at the horse. For example, a chestnut horse (no flaxen mane and tail) we know must be ee. You cannot tell whether it is also black or bay at the Agouti locus, or whether it caries the silver dapple allele (Z). Fortunately for all the other cases that might be murky, genetic tests are available that detect the actual mutations behind the alleles. Tests are available for both the E locus and the Agouti locus. Therefore you can tell whether a horse is homozygous for E, which means it will never produce a chestnut, or homozygous for a, meaning it is genetically black. There is no need to test a chestnut horse for the E locus, but you may want to test to see if it is genetically black. If so, it can be bred to a homozygous E, homozygous black (aa), and a black foal will always be produced (Eaa). Two horses that are EEaa, when bred together will always produce blacks. If one horse is EEaaZz, 50% of the foals will be chocolates and 50% will be black.

Some chocolates may be difficult to distinguish from liver chestnuts or red chestnuts; in such cases the presence of an E will be diagnostic that the horse is actually a silver dapple. Remember that one parent must also be a silver dapple, unless the silver dapple is being masked in a chestnut horse. Unfortunately there is not yet a genetic test available for the Silver Dapple locus. There are scientific groups working on this and a test is probably not far off. In the meantime, judicious use of the available genetic tests and a basic understanding of color genetics can allow breeders to control foal color through planned matings.

Kathryn T. Graves, PhD is Director of the Equine Parentage Testing and Research Lab at the University of Kentucky. She has been with the program since 1986 supervising the Red Cell Typing and Reagent production laboratories. She has bred, trained and shown American Quarter Horses and Paint Horses since 1980.

Equine Coat Color Genetics 101

"...Dominant means that only one copy of the mutation is needed for it to be expressed outwardly, while recessive means that two copies of the mutation are needed for the trait to be expressed. If a horse carries two copies of the same allele for a gene, he is homozygous (for instance, E/E or e/e, with the lowercase letters indicating recessive genes, and capital letters signifying dominant) for that trait. If he carries one dominant and one recessive allele, then he is heterozygous (E/e) for the trait.

Base Coat Colors-Horses have three basic coat colors, Graves said: red (or chestnut), bay, and black, all of which are controlled by the interaction of two genes. The Extension (or E) locus gene is instrumental in allowing black pigment to be expressed and the Agouti (or A) locus gene controls the location of black in the horse's coat. Specifically, the E locus is located on gene MC1R and the A locus is located on gene ASIP. Graves explained that chestnut is a recessive trait, meaning that all chestnut horses have a homozygous (e/e) genotype for that color. The E allele, which is dominant, permits the expression of black pigment; therefore, all black and bay horses have at least one copy of the E allele, Graves explained; they can be either E/E or E/e.

In horses with E/E or E/e genotypes, the A gene determines whether those animals are bay or black. Bay is the dominant phenotype (the physical expression of a genetic trait) between the two, and its genotype is expressed by either E/Aa or E/AA. Black is the recessive coat color, meaning it is always homozygous and expressed as E/aa.

All other equine coat colors and patterns stem from these base coat colors. Graves discussed each color/pattern and its genetics.

Gray-The gray coat color (gene STX17) is represented by a dominant genotype (G/G or G/g), Graves said. These horses are born dark and eventually lose the color pigment in their hair until they are all or nearly all white. To produce a gray horse, at least one parent must contribute a dominant G. Non-gray color horses have two recessive genes (g/g).

Roan-Although gray and roan horses can look similar in some cases, Graves stressed that the genetics behind the two are different. Instead of lightening in color over time, roan horses retain dark heads and legs and have a mixture of white and colored hairs over the rest of the body. The exact mutation behind roan coloring hasn't been identified yet, but researchers know that it's linked to the MC1R gene and the KIT gene, which play a role in some pinto horses' genetics.

Graves then discussed coat spotting patterns that, in most cases, produce horses with a base color spotted with a variety of white patches.

Tobiano-The first spotting pattern Graves discussed was the tobiano pattern, which she said is the most popular genetic test her laboratory carries out. Tobiano horses, she said, generally have dark colored heads with white legs and white patches breaking over the animal's topline. Graves said chromosomal inversion on the KIT gene helps produce this color pattern: "It's like the chromosome came out, flipped around, and went back in." Horses with this dominant gene will always produce spotted horses, she said.

Sabino-Sabino is a subclass of the other main painted coat color pattern: overo. Graves said these horses are generally a solid color with white facial markings, white legs, and belly spots. The KIT gene is also involved with creating this color pattern, she said. The most important thing to know about this semidominant trait is that foals with a homozygous genotype can be born all white and healthy (unlike some other white foals that are affected by the deadly overo lethal white syndrome [OLWS]; more on that in a moment). Thus, she stressed, test white foals suspected of having OLWS for the disease before euthanizing them.

Splashed White-Another type of overo coloring is the splashed white pattern, Graves said, which is characterized by similar markings as the sabino pattern. Many splashed white horses have blue eyes, she said. This color pattern is caused by multiple mutations in the genes MITF or PAX3, she said, and these horses are at risk for several different types of health problems, including deafness. One type of MITF mutation (termed SW1) has been identified in several breeds, she said, and homozygotes are viable. A PAX3 mutation (SW2) and another type of MITF mutation (SW3), produce a similar phenotype but are thought to be lethal in the homozygous state.

Frame Overo-This color pattern (characterized by a mostly solid colored horse with white, horizontal patches on the side of the neck and/or belly; white rarely crosses the back between the withers and the tail in frame overos) is produced by a mutation on gene EDNRB, which researchers discovered while searching for the lethal white gene, Graves said. They have identified this pattern in Paints, Quarter Horses, Thoroughbreds, and Tennessee Walking Horses, she noted. As mentioned, two recessive frame overo genes can also produce a foal with OLWS. In these horses, the colon does not develop normally and foals are unable to pass manure; affected foals die or are euthanized within a few days of birth. Because the mutation that causes OLWS is known, breeders can test mares and stallions to reduce the risk of producing an affected foal.

Dominant White-Dominant white horses (those born white with dark eyes--white Thoroughbreds, for example) are produced by 14 to 15 different mutations in the KIT gene, Graves said. She explained that researchers have identified mutations specific to certain families of horses. Thus far, all of these white horses with dark eyes tested have shown a heterozygous genotype.

Appaloosa-The final spotting pattern Graves discussed was the appaloosa or leopard complex spotting (LP) pattern. Researchers still aren't sure what causes this spotted pattern, but they've traced the mutation to the TRPM1 gene, she said. The LP pattern is an incomplete dominant trait, meaning there is a dosage effect (meaning horses with one copy of the mutation are typically a different color than a horse with two copies of the mutation) if the horse has two copies of the mutation, Graves said.

Finally, Graves discussed the dilution patterns, in which a mutated gene dilutes a base color into a variety of different colors.

    Cream-The cream dilution (a mutation on gene MATP) produces palomino, buckskin, cremello, perlino, and smokey black coat colors, depending on the number of dilution mutations-one or two--and the horse's base color, Graves said:

  • A palomino is a chestnut horse that is heterozygous for the cream dilution mutation;
  • A cremello is a chestnut horse homozygous for the cream dilution mutation;
  • A buckskin is a bay horse heterozygous for the cream dilution mutation; and
  • A perlino is a bay horse homozygous for the cream dilution mutation.

Graves noted that a black horse heterozygous for the cream dilution mutation still appears black, but is known as a smokey black; a black horse homozygous for the cream dilution mutation appears perlino and is called a smokey cream.

Champagne-The champagne dilution is caused by a mutation on gene SLC36A1 and is a dominant trait, Graves said. This dilution gene acts solely on the horse's base color and does not have a dosage effect like the cream dilution gene. It simply lightens the pigment of the horse's base color. Horses with a black base coat will appear chocolate in color, while chestnut or lighter bay horses will appear gold. Graves said horses with the champagne dilution frequently have blue eyes at birth that become amber-colored in adulthood.

Pearl-Graves said that pearl dilutions (caused by a mutation on gene MATP) are often referred to as the 'Barlink factor,' as many horses of this color can trace their heritage back to one Paint stallion named Barlink Macho Man. Graves said that one copy of the mutation lightens the horse's skin and might produce golden undertones to the coat color, while two copies of the mutation produces a diluted base color and might enhance cream and champagne colors.

Dun-The mutation behind the dun coat color is still unknown, Graves said, so there is currently no direct genetic test. Researchers know, however, that it's a dominant trait affecting the horse's primary base color. A horse with a black base and the dun mutation would have a grullo coat color; a chestnut base would have a red dun color; and a bay base would have a yellow dun color. All dun horses have dorsal stripes, and many have zebra stripes on their legs, Graves said.

Silver-The final dilution Graves explained is the silver dilution, a phenotype commonly seen in Rocky Mountain Horses, which is caused by a mutation on gene PMEL17. This dominant trait requires either a bay or black base color to be observed; chestnut horses with the mutation will not appear any different than a chestnut without the mutation. This dilution produces a chocolate body color with a flaxen mane and tail.

Graves concluded with a caution to breeders seeking 'fancy' coat colors: The mutations that cause those desirable colors can have other undesirable effects. Aside from the aforementioned OLWS, horses with the silver dilution pattern have been known to develop multiple congenital ocular abnormalities, a nonprogressive disease that commonly includes ciliary body cysts (a congenital uveal abnormality) and megaloglobus (eyeball enlargement); homozygotes are more severely affected. Additionally, horses homozygous for the appaloosa mutation are affected by congenital stationary night blindness, which causes a complete lack of night vision."

Equine Parentage Testing and Research Lab
University of Kentucky
101 Animal Pathology Bldg.
Lexington, KY 40546-0076

For More Information:

Coat Colors Pinto and Paint
Horse Color Information (Genetics)
Horse Color Breeding Charts
Horse Colors and Markings
Tobiano, Overo, Sabino, Tovero
Pinto or Paint?

Genetics Index